S ciklom Pelodi (2017–2018) je umetnica naredila korak v iskanju univerzalne prvobitnosti in prapočela stvarstva, ki ga je našla v pelodih. V svojem drobnem mikrokozmosu kot da shranjujejo informacije o začetku življenja na Zemlji. Naslov nakazuje, da gre v večini primerov za zelo majhne praškaste delce kopenskih rastlin različnega porekla (sivka, trava, breza, banana, jelša, modra cipresa, turška lilija), ki jih spremljajo najrazličnejši vesoljski pojavi. Tehnika gvaš omogoča fotorealistično odslikavanje praškastih delcev.

With the cycle Pollen (2017–2018), the artist took a step toward a universal primality and origin of creation, which she found in pollen. In their minute microcosm they seem to hold information about the beginnings of life on Earth. The title points to mostly very small, powdery particles of terrestrial plants of varied origin (lavender, grass, birch, banana, alder, blue cypress, Turkish lily), accompanied by an array of cosmic phenomena. The gouache technique allows for a photorealistic rendering of the powdery grains.